Fly with my heart

Sejak kebelakangan ni aku Selalu mimpi buruk, rasa mcm perasaan 2009 menangis dalam tidur, mimpi2 yg betul2 buat rasa bad mood and berfikir sama Ada menjadi satu kenyataan atau Tidak. Pedih hati sama Betul dgn kepedihan 2009. Haih! Another tragedy will turn me sleepy 4ever. 

Kebetulan mr sexy fly away from Malaysia so terfikir la what if.... And what will be... What next... Hmm banyaknya fikir. And surprise my sexy read this blog. Trying so hard to keep this dirty lil secret from him.. Noty u darling 

Dia yang saya cintai

Sepanjang kewujudan blog ini belum sekali pn saya akui actually hati saya Sudah dirantai Oleh seseorang. Hehe Saja x Nk bg tahu.. Nk bt suprise kat orang.. Well saya dan Dia ibarat padanan yang Sangat sesuai. Walaupun terdapat beberapa factor yang mustahil bg orang lain tp kami alhamdulila berjaya la berpimpin tangan sampai skg ( perumpamaan Saja ye, reality nya en sexy saya Sangat menjaga adab). En sexy membuatkan diriku terasa begitu berharga chewaaa ...sentiasa diperlukan.. Di sayangi dan di lindungi. I just love him.. Everything is sexy on him. Even stokin pun sexy 😘

Weekends with mommy darezz

meet Darez my bff son

Boring nya sabtu minggu ini, kebetulan my friend Maslin ber whatsapp apa lagi ambil kesempatan la ajak beliau keluar. bukan senang nak ajak die ni keluar al maklum la da jadi isteri orang. so today i meet my lil BF Darez. dulu masa kecik2 mak aii susah nak peluk dukung bagai sekarang serah diri je, pantang tadah tangan mesra sungguh, i like.. boleh aunty hug2

Darezz give aunty sexy smiling pls

...

Alone

dah lama rasanya x outing.. last outing tembak sana-sini awal tahun nie.. itu pun sebab terpaksa. aih tak sanggup rasanya nak berjemur bak ikan kering di tengah panas. Tambahan pulak sejak dua menjak ni cuaca x menentu. kang x pasal2 aku kena p service bf nikon aku nie. aah kamera murah je, murah-murah pun jenuh kumpul duit nak beli tau. Kalau bukan sb gatal nak melibatkan diri pameran Zirkon ni jangan harap aku nak stay menghadap sang suria.. menyengat kulit2 ku bak kulit buaya nie kannnn. sebelum bertolak aku dah plan beberapa perkara.. yelah untuk menunaikan hasrat BFF aku nak kan jam yang ala-ala ORI gitu.
sewaktu menunggu en driver bas sempat juga aku berposing dengan this meow, muka die kerek giler la... blh plk time aku belai die.. meow ni blh golek2 gedik nak menarik perhatian aku kan.. eee comelnya. tgk la binatang bulu-bulu nie

MEOW TOMPOK2 COMOT NI SPORTING KANN
 

TAMBANG BAS DARI SHAH ALAM KE KL SENTRAL RM 2.50 IF NAK KE CM (PASAR SENI) RM 3.00
 

sebaik je tapak kaki ni menjejak KL station berikutnya aku nak ke CHOW KIT naik Monorail.. huhhuuhuhuuhuh sebenarnya Chow Kit nie tempat yang menarik.. if korang ada hati nak ke jakarta x payah susah2 nak beli tambang kapal terbang. Naik kancil pon boleh... datang la kat sini. Chow kit banyak tempat yang hebat.. barang die murah2 mayb sb peniaga kat sini lebih kepada belian secara pukal. tahu apa tu pukal? pukal bermaksud Borong yeeee.... so sesiapa yang nak buat jualan kecil2an boleh datang kat sini.. kalau nak tahu kat mana kenalah rajin2 bertanya akak... :) saya laaa.... 

CANTIK

MEH CARI CEPAT ZERO DEFECT
 

 

GRED AAA ( SEBIJIK MACAM ORI )

di sebabkan misi utama aku pada hari itu adalah untuk mengumpul dan mendokumentasikan bahan, maka aku pun mengambil keputusan untuk berjalan kaki... yelah kalau nak mendapatkan view yang menarik haruslah berkorban untuk menapak dari chow kit ke KLCC kan. alhamdulila boleh tahan jauh gak perjalann aku, sampai perut bergendang riang, agaknya cacing kat dalam tu sedang bersamba dan berpoco-poco. setelah 30 minit berlalu akhirnya aku jumpa satu tempat makan yang baik punya, baik dari segi harga dan juga kuantiti..  ni dia laman seni :)

 

MAKAN BERLATARKAN KLCC BEST JUGA.

CAN U SEE ME?

setengah jam berlalu di meja makan kini perjalanan harus di teruskan .. laman KLCC menjadi misi utama. elok sangatlah kan ye la, baru sebentar tadi menternak lemak kini tiba masa mengorbankanya pulak. :) cara yang paling mulia abad ini.

 

Pinhole Camera

•pinhole camera also known as camera Obscura, or "dark chamber", is a simple optical imaging device in the shape of a closed box or chamber. In one of its sides is a small hole which, via the rectilinear propagation of light, creates an image of the outside space on the opposite side of the box.

•Images created via a small opening will be found in the natural environment and in everyday life, and people in various parts of the world have been observing them since ancient times. Probably the earliest surviving description of this kind of observation dates from the 5th century BC, written by Chinese philosopher Mo Ti.

•The Western hemisphere, Aristotle in 4 BC was asking, without receiving any satisfactory answer, why sunlight passing through quadrilaterals, for example, one of the holes in wickerwork, does not create an angled image, but a round one instead, and why the image of the solar eclipse passing through a sieve, the leaves of a tree or the gaps between crossed fingers creates a crescent on the ground.

•10 AD the Arabian physicist and mathematician Ibn al-Haitham, known as Alhazen, studied the reverse image formed by a tiny hole and indicated the rectilinear propagation of light.

•The another scholar during the Middle Ages who was familiar with the principle of the camera obscura, namely the English monk, philosopher and scientist Roger Bacon. It was not until the manuscript Codex atlanticus (c. 1485) that the first detailed description of the pinhole camera was set down by Italian artist and inventor Leonardo da Vinci, who used it to study perspective.

 

Principle of a pinhole camera. Light rays from an object pass through a small hole to form an image.

•The camera Obscura was, in fact, a room where the image was projected onto one of the walls through an opening in the opposite wall. It was used to observe the solar eclipse and to examine the laws of projection. It later became a portable instrument which was perfected with a converging lens. Instruments of this kind were often used as drawing aids and, at the dawn of photographic history, they formed the basis for the construction of the camera.

•During the mid-20th century scientists discovered that it could be used to photograph X-ray radiation and gamma rays, which the ordinary lens absorbs.

•1850 the first photograph taken with a pinhole camera was the work of Scottish scientist Sir David Brewster the technique became more established in photography during the late 19th century when it was noted for the soft outlines it produced, as opposed to lenses generating perfect, sharp images.

         

• The image in the pinhole camera is created on the basis   of the rectilinear propagation of light. Each point on the surface of   an illuminated object reflects rays of light in all directions. The hole lets   through a certain number of these rays which continue on their course until   they meet the projection plane where they produce a reverse image of   the object. Thus the point is not reproduced as a point, but as a small disc,   resulting in an image which is slightly out of focus. This description would   suggest that the smaller the hole, the sharper the image. The calculations for   the optimal diameter of the hole in order to achieve the sharpest possible   image were first proposed by Josef Petzval and later perfected by British Nobel   prizewinner Lord Rayleigh. He published the formula   in his book Nature in 1891.
  

•The image created by a pinhole camera has certain characteristics. Since the process entails a central projection, the images in the pinhole camera are rendered in ideal perspective.

•Another special characteristic is the infinite depth of field which, in a single photograph, allows objects to be captured with equal sharpness whether they are very close up or far away.

•The pinhole camera takes in an extremely wide angle. The rays of light, however, take much longer to reach the edges of the negative than the centre, thus the picture is less exposed along the edges and therefore darkens.

•The disadvantage of the pinhole camera is the amount of light allowed through (small aperture), which complicates and sometimes prevents entirely the photographing of moving subjects. Exposure time is normally counted in seconds or minutes but, in bad lighting conditions, this could be hours or even days

 

 

HISTORICAL TIMELINE PHOTOGRAPHY

 

1725               Johann Henrich schulze discover silver nitrate darkens when exposed to light

 

1827               Joseph  Nicephore Niepce create View from the window at le gras. Heligroph

 

1829               Louis Jacques Mande Dagurre partners with Nicephore Niepce

 

1835               Dagurre discover latent image

 

1839               Dagurre announces Dagurreotype in France to the Academie de Sciences William Henry Fox Talbot announces calotype in England to Royal Society of London.

 

1940-50         Anna Atkins produces cyanotype prints of algae specimens bound as editions

 

1842               Talbot published pencil of nature

 

2843               David Octavius Hill & Robert Adamson collaborate to produce calotype portraits of Scottish gentry.

 

1847               Talbot’s calotype process is improved by Louis Desire Blanquart-Evrand

 

1849               Gustave LeGray creates waxed-paper process in France

 

 

1850               Frederick Scott Archer invents collodion process ( also known as wet- plate process)

L. D. Blanquart – Evard introduces albumen printing paper.

 

1851               First photograph using electric spark for illumination by W. H. F. Tablot Ambrotypes invented by Frederick Scott Archer.

 

1853               Tintype process invented – most common usage during Civil War

 

1854               Improvments to ambrotype made by James Ambrose Cutting and patented in U.S. Andre Disderi introduce Carte –de-visite.

 

1855               Roger Fenton photographs Crimean War, Valley of the Shadow of death.

 

1857               Oscar Gustave Rejlander exhibit combination print in two ways of life

 

1861               Nadar ( Felix Tournachon)  make 1^st photograph using artificial light under ground cave

 

1861-64         Matthew Brady introduces photographic documentation of Civil War

 

1863               Timothy O’Sullivan photographs Civil War, A Harvest of Death, Gettysburg, Pennsylvania.

 

1863-75         Julia Margaret Cameron photographs family and friends

 

1865-80         Era of western photography ( William Henry Jackson, Eadweard Muybridge, Timothy O’Sullivan and Carleton E.Watkins)

 

1868               Thomas Annan begins documenting slum of Glasgow

 

1869               Henry Peach Robinson established pictorial effect in photography for aesthetic photographs

 

1871               Dry-plate announced by Richard Leach Maddox, but not perfected until 1878

 

1871-87         Muybridge established work on animal locomotion, a study in human movement

 

1880               Halftone reproduction appears in New York newspaper

 

1883-90         George Eastman introduce small camera using roll film interest in street life and snapshot photography emerges

 

1884               Thomas Eakins studies time and movement in photography, History a Jump

 

1888-90         Jacob Riis documents New York slums and publishes book How the Other Half Lives

 

1889               Peter Henry Emerson establish Naturalistic Photography which challenges philosophy of Henry Peach Robinson’s pictorial effect

 

1890- 1910    Pictroialist art movement in photography ( The Linked Ring, Photo-Club de Paris, Kleeblat, Photo –Secession),

 

1895               Alice Austin records domestic life, Hester Street Egg Stand.

 

1898               Eugene Atget begins photographing Paris

1899               Clarence H. White, The Ring Toss

 

1900               Gertrude Kasebier, Blessed Art Thou Among Women

 

1900-06         Edward S. Curtiws photograph North American Indians The Vanishing Race, 1904.

 

1903               Art journal, Camera Work, founded in U.S by Alfred Stieglitz.

 

1904               Lewis Hine begins work as social Photographer documenting child labor. Lumier Brothers invent Autochrome for color photographs.

 

1905               Alfred Stieglitz opens Little Gallery of Photo-Secession at 291 fifth Avenue New York, U. S.

 

1907               Alfred Stieglitz, The Steerage.

 

1911-12         Futurism – experiments in Photodynamism by Bragaglia brothers in Italy.

 

1914- 42        Clarence White’s School of Photography opens in New York, the only school U.S. dedicated to art photography.

 

1915               Alvin Langdon, Charles Sheeler, Edward Steichen, Alfred Stieglitz, Paul Strand produce work based on modernist ideas.

 

1916               James VanDerZee open studio in Harlem, Couple in Racoon Coast (1929).

 

1919-28         Bauhaus is estabilished in Germany, influenced by Laszlo Moholy- Nagy and Alexander Rodchenko.

1920               Experiment with photo collage and photo montage as part of Dada & Surrealist movements.

 

1923               Hannah Hoch, The Cut of Kitchen knife, montage.

 

1924               35mm Leica camera using inexpensive standard movie stock film invented by Oscar Barnack of Leitz Company.

 

1929               August Sander publishes Anlitz Der Zeit ( Face of Our Time), a compilation of work begun in 1910 depicting individuals and groups from all class in Germany until Nazi censured the work in 1934.

 

1930 – 40      f/64 group established. Photographers include  Edward Weston, Ansel Adam and Imogen Cunningham.

Ansel Adams and Fred Archer develop The Zone System

 

1930               Edward Weston, Pepper

 

1932               Henri Cartier – Bresson – The Decisive Moment

 

1935 -42        Farm Security Administration established an extensive documentary project in U.S. Photographers include Dorthea Lange, Walker Evans, Marion Post Wolcott, Russell Lee, Ben Shahn.

 

1936               The Photo League founded New York City promote photographs as social document, Photographers included Bernice Abbott, Lewis Hine, Lisette Model, Walter Rosenblum, Aaron Siskind, and Paul Strand. Kodachrome introduced for 35mm cameras Dorothea Lange, Migrant mother. Life magazine hits the stands with photographs by Margaret Bourke-White.

 

1940               Museum of Modern Art opens department of Photography.

 

1948               W. Eugene Smith photo essay, Country Doctor, appears in Life Magazine.

 

1955               Family of man exhibition at Museum of Modern Art, organized by Edward Steichen.

Roy DeCarava, The sweet of Life, a collaboration wi9th writer Langston Hughes about life in harlem

 

1958               Robert Frank, The Americans

 

1960-70s       Photographer begin emphasizing social urban landscape: Garry Winogrand,  Lee Friedlander, Diane Arbus, Bruce Davidson, Danny Lyon.

Duane Michals produce sequential images presentating time lapse as narrative Jerry Uelsmann creates complex multi-image allegories

Ralph Eugene Meatyards create fictional narrative to revel psychological conditions in documentary style 1967

Friends of Photography established by Ansel Adams and Beaumont and Nancy Newhall.

 

1970-80         Larry Clarck, Tulsa

Bill Owen , Suburbia

Johnathan Green, The snapshot, examines aesthetic of snapshot and relation-ship to contemporary photography.

 

1977-79         Rephotographic Survey Project formed by Mark Klett, Ellen Manchester, JoAnn Verburg, Gordon bushaw and Rick Dingus to rephotograph 19^th century west-ern survey site

1978-79         Cindy Sherman, Untitled Film Stills.

 

1980 -90        Richard Prince challenges advertising imagery by photographing and cropping images found in magazines ( postmodernists call this appropriation)

Barbara Kruger challenge media and stereotypes with billboard size imagery incorporating text, Untitled (Your Body Is A Battleground)

Sandy Skoglund create room-size installations, then photographs them for final image, Revenge of the Goldfish, 1981

Nancy Burson, Richard Carling, and david Kramlich use digital imaging to construct a portrait using imagery from several different individual portraits, Mankind.

 

1990- 2000    Photographers explore multiculturalism and identity Sally Mann challenges photographic art and parenthood in Immediate family

Carrie Mae Weems exmines myth and religion in African – American history

Clarissa Sligh investigate snapshots to discover differences between memory and picture

Timeline information extracted from World history of Photography by Naomi Rosenburg

Seizing the Light, A history of Photography , by Robert Hirsch

 

 

 

M, Joy (2004). Exploring Basic Black & White Photography, New York: Thomson Delmar Learning Publishing.

confident 1 juta

Teringat kenangan dolu2 masa berbuka pose dengan Cik Mas my bff since diploma Lagi. Ye la semua pn sedia maklum Kalau time pose ni Iklan minuman kt tv semuanya agak mengugat iman. Nk di jadi kan cerita setelah Aku dgn Cik mas penat berjalan2 kt bazaar Ramadan Akhirnya kmi selesai  bertawaf beli makanan.
Blk rumah je Terus duduk kt atas sofa .. Ya Allah penatnya Kalau Nk cerita pasal haus memang tak terkata.. Tekak ni kering kontang. Di sebabkan Cik Mas sayang Aku lebih die Pn prepare la Judah Nk Buka pose.. Air cincau + soya bean. Wah memang terliur la time tu kn...lagi2 tgk air tu McM melambai2 meh la minum kami.. Tetiba Azan berkumandang wah apa lg Aku dgn Cik mas pin tibai la minuman tu on sekali Lagi Azan Iklan rupanya.... Jahatnya Iklan tuuu